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replied Elizabeth; “I think there cannot be too little said
on the subject.”
“La! You are so strange! But I must tell you how it went off. We were
married, you know, at St. Clement's, because Wickham's lodgings were in
that parish. And it was settled that we should all be there by eleven
o'clock. My uncle and aunt and I were to go together; and the others
were to meet us at the church. Well, Monday morning came, and I was in
such a fuss! I was so afraid, you know, that something would happen t
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Greece, almost conclusive testimony to its original
composition. It was not till the age of the grammarians that its primitive
integrity was called in question; nor is it injustice to assert, that the
minute and analytical spirit of a grammarian is not the best qualification
for the profound feeling, the comprehensive conception of an harmonious
whole. The most exquisite anatomist may be no judge of the symmetry of the
human frame: and we would take the opinion of Chantrey or Westmacott on
the proportions and general beauty of a form, rather than that of Mr.
Brodie or Sir Astley Cooper.
"There is some truth, though some malicious exaggeration, in the lines of
Pope.--
"'The critic eye--that microscope of wit
Sees hairs and pores, examines bit by bit,
How parts relate to parts, or they to whole
The body's harmony, the beaming soul,
Are things which Kuster, Burmann, Wasse, shall see,
When man's whole frame is obvious to a flea.'"(19)
Long was the time which elapsed before any one dreamt of questioning the
unity of the authorship of the Homeric poems. The grave and cautious
Thucydides quoted without hesitation the Hymn to Apollo,(20) the
authenticity of which has been already disclaimed by modern critics.
Longinus, in an oft quoted passage, merely expressed an opinion touching
the comparative inferiority of the Odyssey to the Iliad,(21) and, among a
mass of ancient authors, whose very names(22) it would be tedious to
detail, no suspicion of the personal non-existence of Homer ever arose. So
far, the voice of antiquity seems to be in favour of our early ideas on
the subject; let us now see what are the discoveries to which more modern
investigations lay claim.
At the end of the seventeenth century, doubts had begun to awaken on the
subject, and we find Bentley remarking that "Homer wrote a sequel of songs
and rhapsodies, to be sung by himself, for small comings and good cheer,
at festivals and other days of merriment. These loose songs were not
collected