around the back way and come on to the stage and stood up before the curtain and made a little speech, and praised up this tragedy, and said it was the most thrillingest one that ever was; and so he went on a-bragging about the tragedy, and about Edmund Kean the Elder, which was to play the main principal part in it; and at last when he'd got everybody's expectations up high enough, he rolled up the curtain, and the next minute the king come a-prancing out on all fours, naked; and he was painted all over, ring-streaked-and-striped, all sorts of colors, as splendid as a rainbow.  And--but never mind the rest of his outfit; it was just wild, but it was awful funny. The people most killed themselves laughing; and when the king got done capering and capered off behind the scenes, they roared and clapped and stormed and haw-hawed till he come back and done it over again, and after that they made him do it another time. Well, it would make a cow laugh to see the shines that old idiot cut. Then the duke he lets the curtain down, and bows to the people, and says the great tragedy will be performed only two nights more, on accounts of pressing London engagements, where the seats is all sold already for it in Drury Lane; and then he makes them another bow, and says if he has succeeded in pleasing them and instructing them, he will be deeply obleeged if they will mention it to their friends and get them to come and see it. Twenty people sings out: “What, is it over?  Is that _all_?” The duke says yes.  Then there was a fine time.  Everybody sings out, “Sold!” and rose up mad, and was a-going for that stage and them tragedians.  But a big, fine looking man jumps up on a bench and shouts: “Hold on!  Just a word, gentlemen.”  They stopped to listen. “We are sold--mighty badly sold.  But we don't want to be the laughing stock of this whole town, I reckon, and never hear the last of this thing as long as we live.  _No_.  What we want is to go out of here quiet, and talk this