present abridgement however, will contain all that is of use to the reader, for the biographical value of the treatise is most insignificant. 3 --_I.e._ both of composing and reciting verses for as Blair observes, "The first poets sang their own verses." Sextus Empir. adv. Mus. p. 360 ed. Fabric. Ou hamelei ge toi kai oi poiaetai melopoioi legontai, kai ta Omaerou epae to palai pros lyran aedeto. "The voice," observes Heeren, "was always accompanied by some instrument. The bard was provided with a harp on which he played a prelude, to elevate and inspire his mind, and with which he accompanied the song when begun. His voice probably preserved a medium between singing and recitation; the words, and not the melody were regarded by the listeners, hence it was necessary for him to remain intelligible to all. In countries where nothing similar is found, it is difficult to represent such scenes to the mind; but whoever has had an opportunity of listening to the improvisation of Italy, can easily form an idea of Demodocus and Phemius."--_Ancient Greece,_ p. 94. 4 "Should it not be, since _my_ arrival? asks Mackenzie, observing that "poplars can hardly live so long". But setting aside the fact that we must not expect consistency in a mere romance, the ancients had a superstitious belief in the great age of trees which grew near places consecrated by the presence of gods and great men. See Cicero de Legg II I, sub init., where he speaks of the plane tree under which Socrates used to walk and of the tree at Delos, where Latona gave birth to Apollo. This passage is referred to by Stephanus of Byzantium, _s. v._ N. T. p. 490, ed. de Pinedo. I omit quoting any of the dull epigrams ascribed to Homer for, as Mr. Justice Talfourd rightly observes, "The authenticity of these fragments depends upon that of the p