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our attention, we lose sight of what precedes, and do not
concern ourselves about what is to follow."--"Dramatic Literature,"
p. 75.
88 "There cannot be a clearer indication than this description --so
graphic in the original poem--of the true character of the Homeric
agora. The multitude who compose it are listening and acquiescent,
not often hesitating, and never refractory to the chief. The fate
which awaits a presumptuous critic, even where his virulen
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know what a fess is. I'll show
him how to make it when he gets to it.”
“Shucks, Tom,” I says, “I think you might tell a person. What's a bar
sinister?”
“Oh, I don't know. But he's got to have it. All the nobility does.”
That was just his way. If it didn't suit him to explain a thing to you,
he wouldn't do it. You might pump at him a week, it wouldn't make no
difference.
He'd got all that coat of arms business fixed, so now he started in to
finish up the rest of that part of the work, which was to plan out a
mournful inscription--said Jim got to have one, like they all done. He
made up a lot, and wrote them out on a paper, and read them off, so:
1. Here a captive heart busted. 2. Here a poor prisoner, forsook by
the world and friends, fretted his sorrowful life. 3. Here a lonely
heart broke, and a worn spirit went to its rest, after thirty-seven
years of solitary captivity. 4. Here, homeless and friendless, after
thirty-seven years of bitter captivity, perished a noble stranger,
natural son of Louis XIV.
Tom's voice trembled whilst he was reading them, and he most broke down.
When he got done he couldn't no way make up his mind which one for Jim
to scrabble on to the wall, they was all so good; but at last he allowed
he would let him scrabble them all on. Jim said it would take him a
year to scrabble such a lot of truck on to the logs with a nail, and he
didn't know how to make letters, besides; but Tom said he would block
them out for him, and then he wouldn't have nothing to do but just
follow the lines. Then pretty soon he says:
“Come to think, the logs ain't a-going to do; they don't have log walls
in a dungeon: we got to dig the inscriptions into a rock. We'll fetch
a rock.”
Jim said the rock was worse than the logs; he said it would take him
such a pison long time to dig them into a rock he wouldn't ever get out.
But Tom said he would let me help him do it. Then he took a look to
see how me and Jim was getting along with the pens. It